March 05, 2007

Emily's a genius.

Hey! I edited some of my book! Thanks to Emily, I just spend an hour redoing the beginning!

Sometimes, Brian reflected, fantasies simply don’t measure up to reality.
    For example, the smiling white teeth on the beautiful dark skinned woman standing in front of him. Framed by long black hair flowing over her shoulders, her eyes wide and almost glowing golden with the flickering candlelight, focusing intently on him. She was a doppelganger of the first crush he’d ever had, on an Indian woman on his paper route. He’d looked forward to seeing her smooth skin, fantasizing about the secret knowledge in her hands as she’d hand him the money, somehow imagining that tingling energy that shot through his arms would last long enough to get home and spend some time in the bathroom with the lotion, trying not to make noise with his mother right outside the door.
    His fantasy, though, hadn’t included the knife that this woman now held poised over the tatters of his shirt. His arms hadn’t been tied over his head in his fantasy, thick leather straps dark with unidentifiable stains on them binding his wrists. And the woman on his paper route, in his fantasy, had not looked so hungry as she watched the trickle of blood run down his collarbone where she’d just cut him.
    The blade had been so sharp that he hadn’t even felt it go in, thinking it was just another slice of shirt. Then a slight burning pain had slid along the line of his clavicle, a trickle of warm blood, black in the dim flame of the candles, running down his pectoral. His eyes had grown wide, and as he’d looked up, disbelieving, that was when she’d smiled.
    It was not a smile of comfort. It was a hungry smile, and Brian felt suddenly like a rather underdone piece of meat.
    “Are you enjoying yourself, Man?” She spat the word, harshly. “Don’t you want to dance with me anymore? You seemed eager enough at the Inferno, when all you felt was my hot little yoni wrapping around your thigh.” She emphasized her sarcasm with a mocking bump-and-grind, a grotesquely exaggerated version of the dance that had attracted her to him back at the club.
    Perhaps he should have realized then that her welcoming smile had been more feral than eager, but the connection they’d felt dancing had made it seem totally natural to follow her home, let their embraces get more intense, more sensual stroking. He wondered, as he hung there in the door frame, if she’d given other signals that  she was a psychopath. He couldn’t think of any.
    Hanging there with his shirt in ribbons, he licked his lips, and tried to keep his voice as reasoned and calm as he could. “Actually, I’ve never been into blood play. Nothing wrong with it, when you’re keeping things sanitary” Please, God, let that knife be sterile “but it’s just really not been my  thing. In fact,” he tried to let a chuckle, hoping it didn’t come out too much like a sob,  “I’m  not all that into being a bottom at all. I’m pretty much entirely of the dominant  persuasion.” He used words common to the alternative sexuality literature, hoping it would  remind her that the two of them had not negotiated this, not really agreeing to anything beyond his wrists taken up in the dark leather straps. Dark? That
annoying voice in his psyche piped up again. Dark with what fluids, exactly, do you think?
    She just smiled wider. Ok, then, unsafe, insane, and nonconsensual. Great work, Brian. You sure know how to pick ‘em.  “Red?” he tried, as she drew the knife close again. It was a peculiar double-bladed shape, as if two daggers had been merged, their edges perpendicular, a large ball pommel protruding from her clenched fist.
    “Red! RED!” The common safeword had no effect as she drew a thin and wavy line just under the  first, outlining the slight curve of bone. It didn’t hurt very much, but the invasion of his body by the blade was beginning to fray his calm.
    This, buddy-boy, is headed nowhere you want to go.
    “Red?” she softly chuckled, looking with satisfaction at the lines of blood slowly wending their way down his chest. “Red is the only color left to you, Man. You are in Kali’s hands now, and” she drew a quick, slightly deeper line down his sternum, punctuating her statement with a small puncture wound just under the xyphoid process, “Kali has no safewords.” She hissed the last and through his gritted teeth Brian wondered how he’d ever thought her attractive.
    As if she could read that in the look on  his face, she laughed again, an ugly percussive brassy sound. “You, Man, are ruled by your lingam, and will go wherever it leads. Sniffing around any yoni you catch a whiff of... and in this case, your lingam has led you into my arms, blessed by Kali. Enjoy it
while you can, Man, for your sacrifice will be the final joy you ever have.”
    The hell of it was, his body did seem to enjoy it. Before she had begun slicing his shirt off of his chest, she had stroked him, once, just behind his ear, a caress stroking along the back curve of his skull with a nail suddenly biting into his neck just where it met the skull. Brian’s head had seemed to flash, somehow, and as he shook his head to clear his vision, he had realized that his cock was rampant, pushing out the fabric of his slacks, throbbing with sudden and unexpected need.
    That had been two hours ago. Now his shirt was in tatters, his arms burning from the strain of holding them up, and he was realizing that she wasn’t going to stop with the slicing of his shirt. Hell, she might not stop with the slicing of your skin . But his cock was still visibly excited, and was in fact starting to ache from the strain of being erect for so long. There was no sexual pleasure in it, it simply was there, oblivious to the increasing pain and tension in the rest of his body.
    He tried again to put a reasonable, calm, and authoritative tone to his voice. “I’ve got to give you lots of credit for edge play. You’ve pushed every limit I have and then some. But regardless of what my penis says, I’m telling you no. Remember, ‘No means no’? This has to stop, now. I am not consenting to any further play of any kind with you. However, if you let me loose now, I will not press charges, or even mention it again.”  He realized that he was beginning to babble, and cursed inwardly as her smile grew wider as she seemed to feed on his fear.
    Drawing a breath, Brian tried to make his voice deeper, more authoritative. “But if you continue, I will tell you that not only me, but the full wrath of the law will come down on your beautiful head with a fury that you will not believe. See, I may be kinky, but I’m also the son of a sheriff, and if I turn up” missing he did not say “hurt, they will come after you. And you know how many people saw us at the club... ”
    Brian’s voice trailed off as he  realized that  she was enjoying his struggle with control. As he watched her face, that had seemed so erotically exotic in the club, it became something other than human—less or more he could not say. His arms shook a little from muscle fatigue of having them up that long, and his legs were long past discomfort and into the burning sensation of lactic acid buildup. She drank it all in as she wove the knife in strange patterns in the air, occasionally flicking close enough to feel the air disturbed as the blade passed by his skin.

Tomorrow, 4:30, Ground Zero, I'll be doing more. She's brilliant with her rotating writer idea: a different coffeehouse each day. Feel free to join me, but...I'll be writing, so attempts at conversation will be met with growls. And not the good kind...

January 20, 2007

Sentance stems

While at the last meeting, I thought of a writing/relationship/descriptive excersize that I have done in the past. Sentance stems, sentance starts, branched thoughts or whatever you call them can help to lead you into a creative spot. I hope these help...


The light behind her...

He stood with a...

The color of the skin...

A trail of hair...

Large, round and....

A piece of clothing...

Chills went...

Suddenly, the phone rang...

The scent reminded me of...

Candle light wavered...

posted by Rena

January 19, 2007

From Lola

Here's a segment of the blog entry by Lola that I was so blown away (heh!) by. It actually made me late for work:

"His hard cock laying on his belly, I went down covered by my hair. From the base of his cock, open-mouthed, tongue sliding up slowly like a snail. Fat, round licks on his head, my mouth a natural cave of glistening wetness. A few pointed flicks just under the head around the sensitive cap. A perfected no-hands quick suction-up of his head into my flush lips. Cradling just the helmet between my wet lips, a slow inching downward, a gentle pull upward, moistening and wetting each inch as I dropped lower, lower, lower. Sucking so hard as to pull my cheeks in as if drawing the life out of him."

And that's just part of it...

January 17, 2007

frugly trou

Below, just a list of interesting words added to the OED in December ....
and a few that beg to be used in an erotic story:

chuffing (adj.) Brit. slang.

[App. a euphemistic alteration of fucking adj. at FUCK v. after CHUFF n.3]

    Used as an intensifier, freq. as a mild expletive or euphemism for fucking.


diel, adj. (and n.)

Biol.

Brit. /{sm}di{lm}l/, /{sm}d{revv}{shti}{schwa}l/, U.S. /{sm}dil/, /{sm}da{shti}({schwa})l/ [< classical Latin di{emac}s day (see DIURNAL adj. and n.) + -AL suffix1.]

    Lasting for or involving a period of twenty-four hours. Also occas. as n.: a period of twenty-four hours.

1934 J. R. CARPENTER in Proc. Oklahoma Acad. Sci.  14 30 Diel: the day in the sense of the 24 hours.  1957 Jrnl. Mammalogy  38 221 Activity is thought to consist of: (1) a feeding rhythm, and (2) a diel cycle that responds to light and temperature.   1975 Nature 3 Jan. 42/2 Many species of fish..undergo diel vertical migrations.   1997 G. S. HELFMAN et al.  Diversity of Fishes xii. 189/2 Although sharks swim actively throughout the diel cycle,..the primary foraging times of most species are during twilight and nighttime.


hinky, adj.

U.S. colloq. (orig. in African-American usage and Police slang).

Brit. /{sm}h{shti}{ng}ki/, U.S. /{sm}h{shti}{ng}ki/ Forms: 19- hinkey, 19- hinky. [Prob. a variant of HINCTY adj.]

    1. Chiefly Police slang. Nervous, uneasy.

1956 B. HOLIDAY Lady Sings Blues 181 If I started getting nervous or hinky, wondering, ‘What is this?’ he'd tell me to take it easy.  1957 San Francisco Chron. 27 Mar. 5/1 ‘Maybe he's hinky (nervous),’ said Inspector Coster. ‘Maybe,’ Maloney nodded his head, ‘let's just remember to keep quiet when they are making the deal.’   1987 D. WALLACE Broom of Syst. (1993) 434 If you're going to get all hinkey about Lenore and not let me express feelings, you can at least let me scope a little bit.  2000 P. CORNWELL Last Precinct (2001) 287 If the hairs turn out to be Chandonne's, then I'm gonna have to entertain the idea she let him stay out there, and that's why she got all hinky about it. 

    2. Suspect, questionable. Also: unreliable, not working properly.

1961 Flip Talk Dict. s.v., Hinky, not on the level.  1975 J. WAMBAUGH Choirboys vii. 93 ‘Driver of the pimpmobile looks hinky.’.. ‘Let's bring him down. Might have a warrant.’    1992 E. GOUDGE Such Devoted Sisters III. 445 The dishwasher had to go hinky, flooding the kitchen floor.   2003 C. WHITEHEAD Colossus of N.Y. 145 Compass needles spin wildly, act hinky when asked to draw a bead on true north.  2005 Chicago Tribune (Midwest ed.) 17 Apr. V. 16/5 Shaw..smells a rat: ‘Oil companies thus far have not reacted to the market... It's a little bit hinky.’





  • ad feminam, adv. and adj.
  • adhocracy, n.
  • appam, n.
  • après-skiing, n.
  • ashtanga, n.
  • auditionee, n.
  • auditioner, n.
  • baba ganoush, n.
  • baby blues, n.1
  • baby blues, n.2
  • back channel, n.
  • bad eye, n.
  • bad mind, n. and adj.
  • bad-minded, adj.
  • bad-talk, v.
  • bahu, n.
  • ballyhooed, adj.
  • binge eat, v.
  • binge eater, n.
  • binge eating, n.
  • bioactive, adj.
  • booger, n.1
  • booger, n.2
  • bris, n.
  • brit, n.4
  • brit milah, n.
  • bubbe, n.
  • Bundt, n.
  • candomblé, n.
  • caponata, n.
  • chalcogen, n.
  • chalcogenide, n.
  • chedi, n.
  • chemo, n.
  • child-free, adj.
  • chuffing, adj.
  • cinephile, n.
  • cinephilia, n.
  • conidiogenesis, adj.
  • conidiogenous, adj.
  • corporatization, n.
  • corporatize, v.
  • coulis, n.
  • Cretacean, adj. and n.
  • cross-contaminate, v.
  • cross-contamination, n.
  • cross-party, adj.
  • cryptid, n.
  • dandiya, n.
  • dandiya raas, n.
  • dartitis, n.
  • diel, adj. (and n.)
  • dupatta, n.
  • ear bud, n.1
  • ear bud, n.2
  • Eeyorish, adj.
  • escabeche, n.
  • fitna, n.
  • flob, n.
  • flob, v.2
  • FOB, n.4
  • foot-tapping, n.
  • foot-tapping, adj.
  • fugly, n. and adj.
  • giant slalom, n.
  • Granthi, n.
  • greigite, n.
  • groupware, n.
  • Guru Granth Sahib, n.
  • gyoza, n.
  • heinie, n.2
  • hijiki, n.
  • hinky, adj.
  • hoisin, n.
  • hospitalist, n.
  • hypericin, n.
  • insource, v.
  • insourcing, n.
  • jiaozi, n.
  • jobseeker, n.
  • ketide, n.
  • ladyboy, n.
  • La Niña, n.
  • perpyne, n.
  • RU-486, n.
  • self-medicator, n.
  • shiso, n.
  • silver bullet, n.
  • Sudoku, n.
  • sufferation, n.
  • Super-G, n.
  • super giant slalom, n.
  • supermini, n.2
  • superminicomputer, n.
  • tag sale, n.
  • tajine, n.
  • Talibanization, n.
  • Talibanize, v.
  • Talibanized, adj.
  • T-ball, n.
  • thigh-high, adv., adj.,  and n.
  • trou, n.
  • tupuna, n.
  • umami, n.
  • undercard, n.
  • unelectable, adj.
  • uthappam, n.
  • vinyasa, n.
  • webcast, v.
  • webcaster, n.
  • wick, v.3
  • zayde, ninsou

January 03, 2007

Preferences

As I have been trying to work back into writing, I was wondering what things would actually turn me on. It is hard for me to write unless I have a good sence of a character, so.. A preference list for the character 'Rena'. This list is ever changing, and only a little bit ambivilant on some points.

I like my nipples sucked, sometimes hard, and also bitten - carefully around the jewelry.
My skin is sensitive, but not ticklish, though sometimes I can be tickled, especially after I have orgasmed.
I am not used to being administered to when it comes to sexual contact or masturbation.
Fingernails down my back can make me shiver in delight.
The change between an ice cube and a drop of hot wax or the other way around is wonderful.
I have problems letting men dominate me.
It is sometimes hard for me to ask for what I want, even if I know what it is.
I am very quiet when I orgasm.
To be spanked needs a little roll playing for it to work right for me. I am a naughty girl, so it isn’t very difficult to find reasons.
I do not like to be humiliated or have verbal abuse used on me.
I enjoy creative discipline used on me.
New experiences are usually good.
I enjoy giving head.
To either lick or be licked to clean chocolate, whipped cream or other sweets from skin is pure pleasure.
It can take me quite a while to orgasm.
My back is sensitive and can be an erogenous zone, especially around my lower back.
I like being restrained while I orgasm.
The feel of different things on my skin (silk, fur, etc.) can heighten things for me.
I like being blindfolded.
I like contrasts when playing.
I would like to use a harness, but they are all too small for me.
I have had, and enjoy, anal sex.
Sometimes I want to not make any decisions.
Golden showers and other water sports are a real turn off.
To know that someone is, or could be, watching me is one of my biggest turn ons.
I have had my breasts in rope bondage, but it can hurt more than be a turn on.
To be shaved while tied up has been a part of many of my fantasies.
Being fed can be great.
To be a serving platter for food is a favorite fantasy.
I love being touched, and if there are many people doing it, even better.
To watch others is a great turn on for me.
I like dancing for people, clothed or naked.
When roll playing, I like having the stronger, Top roll, though when being the bottom, I will play slave, little girl, and even hooker.
I love sex in water.
I enjoy getting head.
There have been occasions where I have been on the phone and someone was going down on me. I like that.
Having my legs stretched to over my head has heightened sensations for me in the past.
I do not like to have alcohol before playing.
I like using alcohol on skin while playing.
Washing up after a session can turn into more...
Most of my fantasies involve sensory depravation or over stimulation.
I love having women.
Condoms are necessary, though I would prefer skin to skin, if we were in an ideal world.
I like being held and talked to.
Massages have brought me close to orgasm once or twice.
The slick feel of skin on skin with oil is supremely decadent.
Having someone I am topping allow me to bring them to orgasm is a great pleasure.

Rejected

Well, I decided to add a new category for the blog: Rejection letters.

This one is pretty nice, though. I sent "Steamed" off to CleanSheets.com, and this is what I got back:

Dear author,

Thank you for the chance to read “Steam.”

We will not be able to publish your story in Clean Sheets, but we saw much we liked about your writing and would be delighted to see more of your work in the future.

Clean Sheets reaches more than 3,000 readers each day. We’re unique as a totally free source of the highest quality literary erotica, including six years of fully accessible archives. And no online publication has more of its stories picked up for the prestigious annual “best of” print anthologies. We publish many first-time authors and many of the giants of the genre.

Best of luck with your writing. We look forward to hearing from you again.

Sincerely,



Bill Noble, Clean Sheets fiction editor

OK, everybody say it together...."Awwwwwwwwwww..."

December 21, 2006

A Drabble.

This was distilled after a long rambling 5 page fantasy, and is modeled after the drabbles of my LJ friend Samadi:

He loved her kisses.

As she lay on the carpet, steel bones of corset digging into bruised curve of breast, her legs twitched in the shreds of petticoat. The tremors echoed in her twisted breathing as her face turned slowly, damp ivory skin now flushed crimson. The lightest touch of her lips, like a half-winged butterfly, shuddered against his fingers.

Smiling, he reached again for the cane.

November 26, 2006

Critique of 'Breath quickened'

I shared the Una story with a friend and below is his response.  Thought
it might be of interest to the group.

I have not had time to work any of these suggestions into the next version,
but wanted to share the 'process'.

--------------------------------

Thought: The chain from collar to rings ... found myself wondering if it
would really work that way. If it would get more painful as he got more
aroused. Yes, it's a technical detail, but in a way SM erotica is like
Science Fiction in that some of why we read it is for the cool gadgets.
They draw attention because the genre is about fetish which is about
objects. This means a couple of things:

1) Like with a Phillip Marlow detective story, if you have a loaded gun
on the desk in the first Chapter, something needs to happen with it by
the last. Usually it goes off. Sometimes it's put away. But if it's
there, then you mean to use it. The reader expects that. (Part of the
contract with the reader. Strongly recommend reading "Fenimore Cooper's
Literary Offenses" by Mark Twain. Whether you're familiar with "Last of
the Mohican's" Cooper or not, doesn't matter, Twain did an excellent job
of describing in a humorous way how stories need to work by how they
don't work. I think I have an e-copy somewhere and can mail it to you.)

2) If there is a device or gear that's part of the story and integral to
the story, it will get attention. So the descriptions need to be very
clear or very vague. That sounds like a dichotomy, but it isn't. There
are two ways to describe something: directly and by inference. Some
writers use both for extra emphasis or greater effect. Either clear so
the reader gets the picture clearly and can carry the template into
other scenarios in the mind's eye or vague so the reader's imagination
is engaged and they take care of the details.

3) With the chain I found myself thinking "I don't know if I got aroused
with a chain from PA to collar if it would hurt more. I think it would
pull less and relieve the discomfort. Might have to try it." That isn't
all bad except for that I wasn't thinking about your story anymore. The
suspension of disbelief failed. You either have to make the chains and
piercings and collar clear enough that I accept that it would work as
represented or you need to get more vague. Yes, sounds like a cop out,
but if the point of your story is something else "vague" can work. The
same way in the first Star Wars movie (I'm assuming you've seen it) we
don't really know much about "The Force" but Alec Guinness waves his hand
and raises and eyebrow and stormtroopers start to do his bidding. Not
much there, but since we aren't *given reason to disbelieve* we believe.
That's what the reader gives you in reading, part of the contract, all
you have to do is not give them a reason to take it back. Sometimes just
saying "there was a chain that connected his piercings and collar
arranged so that his erection increased his pain." works. "arranged so
that" shifts it enough out of focus so that a reader is less likely to
hang up on it.

Suggestion -- again it is "merely" descriptive. You tell. Things need to
be shown more. That concept might seem a bit mysterious ... but work on
it and there are huge benefits, not least of which is that it gets more
immediate. (The more immediate, the more engaged the reader, the more
engaged the reader the more credit you have in the "suspension of
disbelief bank" which means you can take things farther.)

There is a feeling of simply inventorying sensations. To take it a step
further (and make it more active and interactive) make your language
more immediate.

"As the slave completed sucking each of her ten toes, she basked in an
hazy orgasmic afterglow."

Becomes

"The slave completed sucking the last of her toes and she basked in the
hazy orgasmic afterglow."

Or

"The slave finished the last of her toes. Before his lips left her skin
she commanded him to continue from toes to feet and legs. His well
trained mouth prolonging her hazy orgasmic afterglow."

These are still a bit flat, me simply reworking what is there and
working to remain faithful to what is there. Extrapolating a bit from
what I've read I might venture:

"There was no hiding the profound orgasm as it coursed through her. Her
mask returned as the hazy, orgasmic afterglow suffused her. Hungry to
prolong it she commanded him to continue from toes to feet and up her legs."

It is entirely possible that the foregoing describes a completely
different character, but my purpose is to attempt to illustrate an
evolution into showing. The physical actions and reactions remain the
same, if only a little less detailed. Using "hiding", "mask" and
"Hungry" moves the passage from a description of what happened to a
description of what happened *and* how she felt about it. It begins to
imply and tell some things about her character. Her appetites and their
strength, her willpower, her insecurities even.

Change "Her mask returned as the hazy, orgasmic afterglow suffused her."
to "As the haze faded from the orgasmic afterglow, her smile of
satisfaction widened into a feral grin of renewed appetite and she
commanded the slave to continue." and the woman's character transforms.


"A smile crept across Una's face as she watched the eager but doomed
struggle of the slave.  She enjoyed watching the way he continued to
strain to please her when every millimeter he moved toward her caused
him increasing pain as the chains pulled cruelly on his nipple and pa
rings.   The exertion was obvious from the marked increase in his
breathing, the sweat beginning to show on his chest and shaved head.
Una extended a beautifully manicured hand to caress a rivulet on his
chest,  letting her fingers graze the slave's nipple."

The foregoing does a good job of showing. Making the voice more active
would make the visual more focused. Often you can do more with less.
Consider:

"A smile crept across Una's face at the eager but doomed
struggle of the slave.  She enjoyed the way he strained to please her
when every millimeter he moved toward her increased his pain. ...."

How you describe the action can amplify the characters. The woman is a
paper doll as the story is. A two dimensional cut out in a Barbie bed,
lots of silk/satin, lots of comfort, and perfect hands and toes. It's a
stock image.

There is *nothing wrong* with stock images. However they aren't very
engaging. A reader tries to "grab on" and they get a paper cut. And the
reader *wants* to grab on. For a story to get interesting there needs to
be at least one character the reader can relate to at some level. The
more you move a character from two dimensional into three and four
dimensions (yes, four, "time" as well ... if you get a character into
that then they are "alive" in imagination) the more the reader can
relate and the more the reader is *in* the story. Some call this a
"window into the work".

Not every character needs to be that way. In fact which ones get more
fleshed out determines how your story works. As it stands the woman is
more fleshed out than the slave. She is the clearly defined point of
entry into the story. So the big criticism is that she is too flat.
There is no room in her for me to get into her too.

There are some interesting hints and potentials, however, which is
really good.

A story has to have tension, "Conflict" is the text book term. And your
reader has a reasonable expectation that the conflict will be resolved.
It's sexual: tension builds to a pitch and is released. (Part of why
thrillers are so popular is that the imagined tension has a physical
manifestation in sympathetic response.)

This is her favorite slave. She's excited by him even when he isn't
there. There's a relationship implied. She is aroused by details of him
even when he isn't present. You establish that early on ... and having
established that ... is like the gun on the desk ... if you put it there
you have to use it.

As the story progresses, there is very little of the slave "shown". If
he's an objectified creature and her bent is about *using* and getting
off on *use* then the setup is wrong. But you've set things up so that
we're expecting that it's not just any mouth on her toes but *his* mouth
that's *really special*.

Now a reader isn't thinking this stuff very consciously ... but it is
working on them. There will be a kind of disconnect going on "if he's so
special, why is he so flat?" will kind of lurk below the surface.

As is there is tension in the fact that there are these two people who
have a relationship that we're expecting to be expressed in these kinky
terms but there is a flatness that could be aloofness. Is that where
this is going?

I like the depth you create. The sense of previous encounters that makes
me eager to understand what seems to be a depth of relating that could
be going on in a kind of aloof formal scening. The visual contrasts of
the opulent bed and the shaved, chained slave ... hardness of steel
in/on flesh and  the sensuality of the woman and the setting are a nice
contrast that suits the genre well.

Breath quickened

Below is the next draft of my story.  I had a friend provide some comments
on this version which I'll post next.

-------

Una's breath quickened and she felt the familiar wave of energy course
through her as she reclined comfortably on her luxurious, exquisite
bed.  She had just heard the agreed upon signal that one of her
favorite slaves had been trained to use to indicate his entrance into
her private chamber.

Although Una had trained hundreds of slaves to do her bidding and
serve her every desire, she always held a very special affection for
this slave – her first slave – the first that Una had trained to serve
her.  She had subsequently trained many other slaves, both male and
female to serve and fulfill her most intimate and passionate desires
but none made Una's heartbeat quicken and stirred the cruelest desires
in her depths as her first slave did.

Even when he was not in her service, visions of this slave's sweating,
freshly whip-marked back, thighs and very eager-to-please eyes would
fuel Una's lust for that special conflagration of extreme cruelty and
exquisite sex.

She commanded the slave to enter her private chamber.  He quickly but
respectfully crawled across the room to the foot of the bed and
assumed the required posture – kneeling with hands clasped behind,
head erect, but eyes bowed.  Una did a quick scan to
ensure the slave was ready to serve.

The slave was full exposed and completely shorn of hair on his head,
chest and back, as fit his station, with polished, locked metal wrist
and ankle cuffs – linked via chains that allowed just enough movement
to serve.  He also had a custom-fit high metal posture collar.  This
restriction was a constant reminder of his station and ensured that
a respectful posture would be maintained.  Una did not enjoy groveling,
subdued and slinking slaves – unless she commanded that behavior.  She
demanded eagerness and alertness in those who served her.

Another chain bound the posture collar ring to a second ring that
split the chain just at the top of the breastbone.  Fastened to this
ring were three additional chains, one to each of the slaves nipple
rings and the third to a prince albert piercing – a token this slave
received in an ownership ceremony after he completed a grueling
year-long training regimen directed by Una.  In the ceremony, the
slave pledged his body in service for Una to use in any way that
pleased her.  In every encounter, she would find a moment to grasp the
pa ring and remind the slave of her right of ownership – it was a
ritual that pleased then both, bonded them in the knowledge that each
fulfilled a role for the other that was at the same time
comfortable, like slipping on a pair of fine leather gloves – but also
fresh and full of anticipation.  Although the roles were familiar, the
sexual tension always caught her a bit off guard.  It was an odd
juxtaposition – Una had complete and utter control of her slave's
actions, but there was always the drive to go further, be more extreme
- push this slave to the absolute limit.  This was only made possible
by the unconditional trust Una shared with this slave.  She knew
absolutely that he would endure, without question, any cruelty that
would amuse and please her.  This certainty that he would eagerly
indulge her every whim and even beg for infliction of torture when it
was clear he could take very little more, freed Una to indulge her
every fantasy with this slave.

Their session began with another ritual – Una had placed a toe ring
near her exquisitely pedicured and pampered feet on the bed.  The ring
was far enough from the edge that the slave would have to reach just
beyond his limits to retrieve the ring with this mouth.

Una tried to steel herself - not give away her utter delight at having
the slave's mouth attending to her toes.   She had no control of the
electric jolt of tension that would shoot through her when the slave's
lips first touched the tip of her toe.  She attempted to mitigate this
by having him first kiss just the tops of both feet, but it only
served to heighten the level of anticipation for the moment when the
slaves lips, teeth and tongue would work the ring deftly onto the
middle toe on her left foot.  She enjoyed the strain of the slave's
awkward position to first reach the ring on the bed, then her toe,
from his kneeling position on the floor.

Once the toe ring was in its proper place, Una commanded the slave to
place his mouth at the tip of her little toe on the left foot.  Una
drew in a breath of anticipation.

"Suck, slave" she commanded.

The first wave of an orgasm rippled through her abdomen.  She could
feel the fiery glow begin to warm and moisten her vulva and clit.  The
waves grew stronger with each command.

"Next toe, slave."

"Suck harder, slave."

And her favorite "More teeth, slave!"

As the slave completed sucking each of her 10 toes, she basked in a
hazy orgasmic afterglow.  She commanded the slave, still kneeling at
the foot of the bed, to start at her feet and kiss up each leg as far
as the slave could reach.  His soft but eager lips caressed first her
feet and then up each leg to her knees. He strained to reach Una's
soft white thighs – the chains pulling cruelly on his nipples.  His
now erect penis had taken up what little slack there was in the chain
attached to the posture collar, making it impossible to progress
further while maintaining his kneeling position.  Una taunted the
slave and offered the possibility of tasting the moist triangle
between her legs if he could reach it.  He struggled in a vain attempt
to kiss his way up her thighs to the unattainable mound.  Una felt the
moisture drip from her labia as she watched her eager slave struggle
to mingle his wet mouth with her juices.  The aroma of her sex filled
the slaves senses and propelled him to struggle beyond reason, pushing
beyond what he could endure to reach the source of that redolence.

A smile crept across Una's face as she watched the eager but doomed
struggle of the slave.  She enjoyed watching the way he continued to
strain to please her when every millimeter he moved toward her caused
him increasing pain as the chains pulled cruelly on his nipple and pa
rings.   The exertion was obvious from the marked increase in his
breathing, the sweat beginning to show on his chest and shaved head.
Una extended a beautifully manicured hand to caress a rivulet on his
chest,  letting her fingers graze the slave's nipple.

Una grasped the chain and gave it a firm tug.  A gasp escaped from the
slave as his eyes widened with the onslaught of the heightened level
of pain.  The slave gazed into her eyes – a look that contained both
the sudden shock of pain and, at almost the same instant, gratitude
for the opportunity to serve.  She drank in this look with all the
pleasure of a glass of fine wine – experiencing each of the distinct
flavors contained in that gaze.  She let a contented sigh pass her
lips as her smile transformed into a soft laugh and she prepared for
what would come next.

November 02, 2006

NaNoWriMo

Here is the link - It's on LiveJournal!